<b>Scary and beautifully written, imbued with the same sense of dread and inevitability as Jackson's original</b>, <i>A Haunting on the Hill</i> is quite extraordinary. It's not pastiche, not ventriloquism. It puts me strongly in mind of a singer you love covering a song by another artist. It's that song but now it's being done by someone else. <b>Remarkable</b>.
- NEIL GAIMAN, author of AMERICAN GODS,
<b>A fitting - and frightening - homage to <i>The Haunting of Hill House</i></b>
NEW YORK TIMES
<b>Beautifully creepy </b>with the same claustrophobic intensity and sense of impending doom of the original, but at the same time with a great sense of progression, <b>of the house having evolved over the years</b>. It's so vivid, full of totemic menace and with <b>a heart-in-your-mouth, can't-look-away frisson.</b>
- BRIDGET COLLINS, author of THE BINDING,
<b>Genuinely sinister and beautifully written,</b> with a real sense of depth to the folklore and theatrical inspiration.
- ROSIE ANDREWS, author of THE LEVIATHAN,
<b>Eerily beautiful, strangely seductive,</b> and genuinely upsetting: <b>welcome back to Hill House.</b> I recommend reading only in strong daylight, and never alone.
- ALIX E. HARROW, author of THE TEN THOUSAND DOORS OF JANUARY,
Hill House<i> </i>is back and haunting as ever in this<b> vividly imagined</b> return to Shirley Jackson's iconic setting. Elizabeth Hand weaves<b> eerie beauty into the genuine terror lurking in her pages,</b> crafting<b> some of the most striking scares I've read in years</b>. This book gave me the best kind of nightmares.
- ANA REYES, author of THE HOUSE IN THE PINES,
I absolutely loved <i>A Haunting on the Hill</i>, which<b> snared me with its terrifying opening and relinquished me only on the very last page</b>. Huge boots to fill, but Elizabeth Hand rose to the challenge with her darkly complex characters and a novel <b>dripping in atmosphere and intrigue</b>.
- JOANNE BURN, author of THE HEMLOCK CURE,
<i>A Haunting on the Hill</i> is <b>as unnerving and disorienting as Hill House itself,</b> a place where evil lurks behind every door.<b> I was completely gripped by this terrifying and original </b><b>tale</b>.
- LAURA SHEPPERSON, author of THE HEROINES,
<b>A novel with all the chills of Jackson that also highlights the contemporary flavor and evocative writing of Hand.</b> The story stays true to Jackson's vision of "Hill House" while becoming a thing of its own<b>. Indeed,<i> A Haunting on the Hill </i>is strange and wonderful, a frightening foray into the supernatural that will inspire you to go back and reread the original.</b>
WASHINGTON POST
The lines of paranoia, art, and reality are terrifyingly blurred for our group of hungry and damaged actors cloistered within the mouldering walls of Hill House.<b> Only the brilliant Elizabeth Hand could so expertly honor Jackson's rage, wit, and vision with a 21st century twist. The old place is as creepy, disorienting, and menacing as ever.</b>
- PAUL TREMBLAY, author of THE CABIN AT THE END OF THE WORLD,
<b>Evocative and unsettling,</b> <i>A Haunting on the Hill </i>captures the essence of the original whilst offering something brand new.
- CARLY REAGON, author of THE TOLL HOUSE,
There are - fittingly - echoes of the original which will satisfy fans but it is Elizabeth Hand's understanding of the folklore threaded through Jackson's work that gives this <b>wonderfully creepy</b> novel much of its power. The story is <b>resolutely contemporary</b>, the world has moved on and the events of Dr Montague's investigation are long forgotten; but Hill House remains unchanged, no more sane now than it was sixty years ago. It's<b> a superb book, a subtle and deeply unnerving ghost story; entirely of itself and recognisably of Jackson's world</b>.
- AMANDA MASON, author of THE WAYWARD GIRLS,
If there's a writer you can trust with this formidable task, it's the wildly talented Elizabeth Hand. <i>A Haunting on the Hill</i> is <b>an admirable successor to <i>The Haunting of Hill Hous</i>e, alike in spirit but never trying to simply repeat what Shirley Jackson did in her classic novel</b>. Creepy, tragic, and, yes, haunting.<b> I tore through this novel, getting lost in the pages, drawn back into the mysteries of Hill House and enjoying every moment I was there</b>.
- Victor LaValle, author of THE CHANGELING,
<i>A Haunting on the Hill</i> is<b> a fever dream of a novel</b>, very much in the same spirit of <i>The Haunting of Hill House</i>, but also entirely its own entity. It's <b>brilliantly imagined, unsettling, cloying and claustrophobic and downright terrifying</b>.
- CRESSIDA MCLAUGHLIN,
If there's a spirit medium gifted enough to evoke the ghost of Shirley Jackson, it's surely Elizabeth Hand, whose startling, original body of work I've long admired. <i>A Haunting on the Hill</i> is <b>not a simple act of ventriloquism, but a true marriage of minds</b>, and I believe Ms. Jackson would have been proud to be the inspiration for this <b>smart and chilling return to the Hill House estate</b>.
- DAN CHAON, author of SLEEPWALK,
<i>A Haunting on the Hill</i> is absolutely captivating-<b>a book that you'll want to climb inside and love forever, until the moment you realize it's too late to escape</b>
- SARAH GAILEY, author of JUST LIKE HOME,
<b>A brilliant queer reimagining</b>...<b>Hand's work both modernizes and deepens Jackson's setting</b>, pulling readers into the demented halls of Hill House and the minds of its denizens
BOOKPAGE
<b>Shirley Jackson fans, rejoice</b>!
WBEZ CHICAGO
<b>Jackson's creation is in capable hands with Hand</b>.
THE WEEK
Hand unnerves us by inference and restraint...<b>it's a measure of Hand's precision and skill that we have so much fun watching</b>[the characters] put together the pieces that doom them
MINNEAPOLIS STAR-TRIBUNE
<b>Frightening </b>
PRIMA
The short chapters, intriguing and complex characters, and <b>beautifully written</b> (yet sinister) descriptions make the novel <b>an irresistible page-turner</b>
INDEPENDENT
<b>A Gothic treat </b>- hugely atmospheric and lovingly written, this is<b> a fitting follow-up to the original</b>
HEAT
A <b>creepy read</b>, featuring fun-to-spot references to other horror classics
MAIL ON SUNDAY
<b>Suspenseful and gripping </b>. . . the short chapters, intriguing and complex characters, and beautifully written (yet sinister) descriptions make the novel <b>an irresistible page-turner</b>
PRESS & JOURNAL (Aberdeen)
An enjoyably atmospheric return to the world of a cult classic - <b>a Halloween treat</b> for fans of genre fiction, haunted-house horror, and things that go bump in the night.
DAILY EXPRESS
<b>The unsettling atmosphere in this novel builds from the start and never disappoints.</b> Hand deftly layers the history of the house with the past of each character and the things that haunt them, especially Holly and Amanda. Hill House is a spooky place, and <b>Hand delves deep into its darkness and allows it to flourish in almost every chapter</b>.
NPR
Hand has a gift for the<b> sensuous, evocative detail, </b>and her descriptions are often <b>simultaneously seductive and spooky</b>
- Kristen Roupenian, NEW YORKER
<b> Like Hill House itself, this accomplished tribute stands alone: disturbing and unforgettable.</b>
GUARDIAN
<b>A suspenseful and gripping read </b>
SCOTSMAN
The <b>supernatural and psychological terrors of the original work are updated</b> for the present day but <b>echo with the resonance of the original</b>
OPRAH DAILY
Apparitions, black hares and time warps festoon this <b>fitting - and frightening</b> - homage to Shirley Jackson's <i>The Haunting of Hill House, </i>in which <b>Hand mines the source material for structure and storytelling beats rather than relying on superficial similarities</b>
- Editor's Choice, NEW YORK TMES BOOK REVIEW