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Édouard Glissant is one of the foundational figures of Francophone literature. Along with other writers from the French West Indies, he inaugurated a radical interrogation of the French literary canon from the margins of the traditionally Paris-centered literary world. His books include Black Salt: Poems and Poetics of Relation, which was also translated by Betsy Wing."From the first pages, describing the atrocities endured aboard the slave ships, this is a fascinating, harrowing historical epic told in rich, unflinching prose."—<i>Publishers Weekly</i>
"The Martinican writer Édouard Glissant is that rare hybrid: an elastic, shapeshifting writer who swings between theory and creative work with the greatest of ease and accomplishment. A towering figure of postcolonial scholarship . . . he is also a poet, playwright, and, as evidenced here, a bold and supple novelist. With <i>The Fourth Century</i> we get the full effect of his overarching project: a literary exorcism of Martinique's scarred psyche and past, a lingering cry against the 'black hole of time and forgetting'. . . . Papa Longoué's sessions with Mathieu, like Glissant's novel itself, burn with the urgency of a recovery mission. With this novel, Glissant has powerfully conjured up the 'centuries knotted together by unknown blood, voiceless suffering, death without echo.'"—<i>Village Voice</i>
"A playwright, critic, essayist and novelist, Édouard Glissant is one of the most significant figures in Caribbean literature. Born in Martinique in 1928, he's written more than two dozen books. His ideas about language, history, and imperialism have influenced writers such as Patrick Chamoiseau and Raphaël Confiant and are eagerly examined in universities where Francophone and post-colonial studies are taught. Many of Glissant's books have yet to be translated into English, which may be why he is not as well known among American readers as he deserves to be. <i>The Fourth Century</i>, a 1964 novel newly translated into English, should bring him more attention and appreciation. . . . His story begins in 1788, when Longoué and Béluse, the progenitors of the two clans, arrive in Martinique as captives on a slave ship called the Rose-Marie. . . . At the end of his fascinating 'indefinable chronicle,' Glissant saves his harshest comments for those characters who've made no attempt to hold on to their identities, who've willfully forgotten their connection to the vast Atlantic and the infinite continent on the other side. 'They had renounced not simply their past,' he writes, 'but even so much as the idea that they might have had one."—<i>Washington Post</i>
"This award-winning novel by a noted Caribbean author explores the history, culture, and myth of his native Martinique. . . . Glissant is a poet as well, and his prose often borders on poetry. . . .The result is a richly textured novel with vivid images."—<i>Booklist</i>
"The modern history of Martinique is embedded in this colorful chronicle . . . of the interrelationships and rivalries of two families whose founders were brought to the island as slaves in 1788. . . . It's a heady brew, sometimes sensuously dramatic. . . . Many brilliant moments . . . along with slave rebellions and hurricanes, omnipresent zombies and spirits, and a powerful impression of the human cost of racial oppression , miscegenation, and madness. In its best moments, this turbulent tale becomes something very like a Caribbean <i>Absalom, Absalom!</i>"—<i>Kirkus Reviews</i>