<p>“<i>Farewell to Visual Studies</i> is astonishing and impressive. It opens the field to self-critical questions about its history, objects, and methods (in contrast to art history and German <i>Bildwissenschaft</i>). The statements of the editors at the beginning, the open-minded and self-critical discussion among the participants in the Chicago Seminars, and the contributions of the experts at the end deliver a deep impression of how such a self-assessment may lead to new shores.”</p><p>—Martina Sauer, Deutsche Gesellschaft für Semiotik (DGS)</p>

<p>“In looking back at the whole field of visual studies, the collection offers a lively contribution to the history of the inter/trans/in/discipline. It is a wonderful example of <i>how</i> understanding and new thinking are produced by performing intellectual clarification and innovation on the page, giving readers the sense of mediated participation in the Stone Center Seminars.”</p><p>—Jon Simons, Indiana University Bloomington</p>

Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways.The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka.
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A transdisciplinary collection of essays discussing the identity, nature, and future of visual studies as a laboratory for thinking about relations between fields including art history, cultural studies, sociology, visual anthropology, film studies, media studies, postcolonial studies, philosophy of history, the science of vision, and science studies.
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ContentsSeries Preface Introductions First Introduction: Starting PointsJames Elkins Second Introduction: Affect, Agency, and Aporia: An Indiscipline with Endemic Ambivalences and a Lack of PicturesGustav Frank Third Introduction: Visual Studies, or, This is Not a DiagramSunil Manghani The Seminars1 Histories: Visuelle Kultur 2 Histories: Anglo-American Visual Studies, 1989–1999 3 Histories: 2000–2010 4 Histories: The Present Decade 5 Histories: Bildwissenschaft 6 Image, Meaning, and Power 7 A General Theory of Visual Culture 8 The Political 9 Science Studies 10 The Place of the Image 11 Envoi AssessmentsPrefaceSunil Manghani Hans Dam Christensen Emmanuel Alloa Nell Andrew Martin A. Berger Marta Zarzycka Theodore Gracyk Tom Holert Julia Orell Kıvanç Kılınç Mark Linder Michele Emmer Terri Weissman Johanna Drucker Vanessa R. Schwartz Bernd Stiegler Lisa Zaher Stephan Günzel Bernhard J. Dotzler Sjoukje van der Meulen Charles W. Haxthausen Asbjørn Grønstad Øyvind Vågnes Mark Reinhardt Charlotte Klonk Yolaine Escande Linda Báez Rubí Miguel Á. Hernández-Navarro Isabelle Decobecq Tirza True Latimer Anna Notaro Notes on the Contributors Index
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“Farewell to Visual Studies is astonishing and impressive. It opens the field to self-critical questions about its history, objects, and methods (in contrast to art history and German Bildwissenschaft). The statements of the editors at the beginning, the open-minded and self-critical discussion among the participants in the Chicago Seminars, and the contributions of the experts at the end deliver a deep impression of how such a self-assessment may lead to new shores.”—Martina Sauer, Deutsche Gesellschaft für Semiotik (DGS)
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Produktdetaljer

ISBN
9780271070780
Publisert
2016-11-15
Utgiver
Vendor
Pennsylvania State University Press
Vekt
567 gr
Høyde
254 mm
Bredde
178 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Om bidragsyterne

James Elkins is E. C. Chadbourne Professor in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

Gustav Frank is Professor of German at the Ludwig Maximilian University of Munich.

Sunil Manghani is Reader in Critical and Cultural Theory at the University of Southampton.