In <i>The Exhibitionist</i> Mendelson brings a forensic eye to family dynamics, laying bare the agonies of rage, frustration and longing that lie just beneath the surface of domestic life. The result is <b>a devastating treat of a novel: funny, furious, dark and delicious</b>
- Sarah Waters, bestselling author of <i>Fingersmith</i>,
<b>It takes the most ferocious intelligence, skill, and a deep reservoir of sadness to write a novel as funny as this. I adored it</b>
- Meg Mason, bestselling author of <i>Sorrow & Bliss</i>,
<b>A delicious, heartbreaking family snapshot</b> about thwarted ambition, misplaced loyalty and good and bad love. Secrets abound. <b>Fabulously written and utterly compelling</b>
- Marian Keyes, bestselling author of <i>Grown-Ups</i>,
<b>Mendelson is a master at family drama,</b> and plots donât get much more dramatic than this . . . <b>Exhilarating</b>
The Times
<b>Soul-scouringly good</b>
- Nigella Lawson,
Sex, desire, deep-seated marital resentment, monstrous artists, determined wives: it's <b>a delicious, piquant comedy of manners, and Mendelson's serrated prose will have you wincing at every word</b>
Daily Mail
Like Katherine Heiny and Maria Semple, Mendelson is skilled at rendering the grotesque fascinating . . . It is also funny; so funny . . . <b>Reading <i>The Exhibitionist </i>is like eating a rich, delicious and wildly elaborate cream cake. You know you'll regret devouring the whole thing at once, but it's very hard to stop</b>
The i
<b>One of the funniest writers in Britain</b> . . . [The Exhibitionist] is so devoid of secondhand sentences that itâs quite possible [Mendelson] spent all nine years since its predecessor polishing her jokes and turning phrases round until they shine . . . <b>A precision of observation that made me laugh frequently and smile when I wasnât laughing</b>
The Guardian
<b>Electric . . . and has a hint of HBO's <i>Succession</i> </b>. . . <i>The Exhibitionist </i>is both a roiling family drama and a chilling portrait of enmeshment, coercive control and enabled addiction
- Madeleine Feeney, The Sunday Telegraph
Unutterably brilliant
- Lucy Worsley,
<b>A deliciously evocative novel</b> laced with sex and art
- Financial Times,
<b>A magnificent book, witty and furious and not a word out of place</b>. I am obsessed
- Elizabeth Macneal, bestselling author of <i>The Doll Factory </i>and <i>Circus of Wonders</i>,
Exceptional
Woman & Home
A compulsive distillation of artistic ego, midlife passion and family dysfunction . . . <b>Hilarious, sexy and thoughtful</b>
Mail on Sunday
A <b>devastating, blackly comic</b> portrait of middle-class dysfunction . . . A fine and haunting book
- Sarah Moss, Guardian
<b>A truly wonderful novel</b>, and a funny and wise one, too; the individual components sparkle, the whole movement beguiles
- Sunjeev Sahota, author of 2021 Man Booker-longlisted <i>The China Room</i>,
<b>I don't think I've ever read anything that is simultaneously <i>so </i>elegant and <i>so </i>propulsive</b> - every single sentence Charlotte Mendelson writes is arrestingly powerful. I think this book is <i>beautiful, </i>but it's also <b>funny, furious, sexy, blissfully hot and cold and wild in its rage</b>
- Daisy Buchanan, author of <i>Insatiable </i>,
The unhappy Hanrahans fall apart, their story playing out with devastating, exuberant glee . . . <b>Honest and frenetically paced, this is a painfully funny look at art, ambition and damaging family dynamics</b>
Sunday Express (S Magazine)
Mendelson's great success is to make the endless sacrifices, self-conscious denials and forbidden emotions of the Hanrahans heartbreakingly relatable . . . <b><i>The Exhibitionist </i>is an undeniable success</b>
Literary Review
Sharp and sad, witty and hopeful, as with all Mendelsonâs work, <b><i>The Exhibitionist</i> is both forensically aware of all the flaws of humanity but also able to be forgiving and compassionate</b>
- Cathy Rentzenbrink, author of <i>Everyone Is Still Alive</i>,
<p>A welcome return for the chronicler of family secrets, with a tale of art, ego and marriage</p>
Guardian
The blackly amusing story of how [Lucia] finds her voice and rediscovers her sexuality in midlife is hilariously traced here by one of my favourite waspish writers
- Mariella Frostrup, Sunday Times
<b>A treat</b> . . . Excoriating observation of the art world, crazy toxic family intrigues, <b>wit, wisdom and brilliant writing</b>
- Muriel Gray,
Charlotte Mendelson has created a magnificently monstrous character . . . It's finely observed, witty and incredibly tense
The Times (Summer Reads Picks)
Longlisted for the Women's Prize, this is a darkly funny portrait of a dysfunctional family bent out of shape over decades by its narcissistic artist patriarch -- and of what happens when his wife will no longer squahs her own creative energies. <b>Wise, waspish and emotionally astute, it's addictive reading</b>
Guardian (Summer Books)
Read it for the characters (some youâll love, some youâll want to shake!), who I missed when I finished this funny family drama
Good Housekeeping (Best Summer Reads)
A masterful observation of the privileged corners of the art world: power dynamics, narcissistic tendencies and ego-boosting exhibitions
The Big Issue
In this excoriating spin on the bourgeois Hampstead novel, a portrait of an artistic marriage in free fall doubles as a savagely funny take-down of male entitlement
Telegraph's 50 Best Books of 2022
<b>The Times Book of the Year . . .</b> A superb and eccentric family comedy, set across a single weekend. But itâs also really, horribly dark in its depiction of cruelty and crushing love.
- Susie Goldsbrough, The Times
<b><i>The Exhibitionist </i>is the funniest novel I read this year.</b> It is one of those rare books that could be driven purely on the strength of its witty, flexible sentences, even if there wasn't an emotional payload and (a bit of) a plot. <b>It will delight anyone who takes pleasure in words, and what is reading but taking pleasure in words?</b>
- John Self, The Critic (Fiction Books of the Year)
Produktdetaljer
Om bidragsyterne
Charlotte Mendelsonâs novel, Almost English, was longlisted for both the Man Booker and the Womenâs Prize for Fiction. Her other novels include When We Were Bad, which was shortlisted for the Orange Prize for Fiction and was a book of the year in the Observer, Guardian, Sunday Times, New Statesman and Spectator; Daughters of Jerusalem, which won both the Somerset Maugham Award and the John Llewellyn Rhys Prize; and Love in Idleness.
The Exhibitionist is her fifth novel.