<b>Harding’s prose is perfect – simple, sharp and creative</b>.
Observer
<b>Harding writes with superb sensitivity about the mental and physical effects of a broken heart.</b>
The Times
<b>A hypnotic portrayal of loss and resilience</b> . . . <b>Harding is an extraordinary writer</b>, for the intoxicating power of his prose, the range of his imagination, and above all for the redemptive humanity of his vision . . . That <i>Enon</i> is a work of fiction that feels authentic as memoir makes it all the more astonishing.
Financial Times
An <b>extraordinary</b> follow-up to the author’s Pulitzer Prize-winning debut, <i>Tinkers</i>…<b>His prose is steeped in a visionary, transcendentalist tradition that echoes Blake, Rilke, Emerson, and Thoreau, and makes for a darkly intoxicating read</b>.
New Yorker
<b>I don’t think I’ve read anything quite so strangely moving for a very long time.</b> Such <b>a relief to know there are still writers around who can write about real people, and who notice the world around them, and can turn that into exquisite art.</b> Unbearably tense, but so <b>rewarding </b>as well … every snatch of dialogue seemed <b>pitch-perfect.</b>
Gerard Woodward