'What holds sway over this country without morals, beliefs, or feelings? Gold and pleasure.' Sexual attraction, artistic insight, and the often ironic relationship between them is the dominant theme in the three short works collected in this volume. In Sarrasine an impetuous young sculptor falls in love with a diva of the Roman stage, but rapture turns to rage when he discovers the reality behind the seductiveness of the singer's voice. The ageing artist in The Unknown Masterpiece, obsessed with his creation of the perfect image of an ideal woman, tries to hide it from the jealous young student who is desperate for a glimpse of it. And in The Girl with the Golden Eyes, the hero is a dandy whose attractiveness for the mysterious Paquita has an unexpected origin. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity show Balzac spinning fantastic tales as profound as any of his longer fictions. His mastery of the seductions of storytelling places these novellas among the nineteenth-century's richest explorations of art and desire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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The three short fictions in this unique collection, Sarrasine, The Unknown Masterpiece, and The Girl with the Golden Eyes, deal with the relationship between artistic ideals and sexual desires. They show Balzac's mastery of the seductions of storytelling, and are among the 19th century's richest explorations of life and art.
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SARRASINE; THE UNKNOWN MASTERPIECE; THE GIRL WITH THE GOLDEN EYES
The only edition of these three great Balzac novellas in one volume, which together offer a rounded view of Balzac's reflection on the relationship between artistic ideals and sexual desires. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity are among the great works of nineteenth-century fiction. Sarrasine appears for the first time in English as part of a paperback collection of Balzac's work (having only been available previously as an appendix to Roland Barthes's critical exploration of the story, S/Z. The first edition in English of The Unknown Masterpiece to record the important variants, which are crucial to the interpretation of Balzac's presentation of the ambiguous relationship between art and erotic desire. Introduction builds on the latest scholarship to help the reader appreciate the connections between notions of gender and the aesthetic explorations of nineteenth-century French romanticism and realism. Thorough notes explain all important cultural and political references.
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Peter Collier has previously translated Zola's Germinal for Oxford World's Classics. Patrick Coleman's books include editions of Rousseau's Confessions and Discourses on Inequality and Constant's Adolphe for Oxford World's Classics, and Anger, Gratitude, and the Enlightenment Writer (Oxford, 2011). He has recently edited Helen Constantine's translation of Balzac's The Wild Ass's Skin (forthcoming in Oxford World's Classics, June 2012).
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The only edition of these three great Balzac novellas in one volume, which together offer a rounded view of Balzac's reflection on the relationship between artistic ideals and sexual desires. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity are among the great works of nineteenth-century fiction. Sarrasine appears for the first time in English as part of a paperback collection of Balzac's work (having only been available previously as an appendix to Roland Barthes's critical exploration of the story, S/Z. The first edition in English of The Unknown Masterpiece to record the important variants, which are crucial to the interpretation of Balzac's presentation of the ambiguous relationship between art and erotic desire. Introduction builds on the latest scholarship to help the reader appreciate the connections between notions of gender and the aesthetic explorations of nineteenth-century French romanticism and realism. Thorough notes explain all important cultural and political references.
Read more

Product details

ISBN
9780199571284
Published
2012
Publisher
Oxford University Press; Oxford University Press
Weight
146 gr
Height
196 mm
Width
129 mm
Thickness
11 mm
Age
G, 01
Language
Product language
Engelsk
Format
Product format
Heftet
Number of pages
192

Translated by
Introduction by

Biographical note

Peter Collier has previously translated Zola's Germinal for Oxford World's Classics. Patrick Coleman's books include editions of Rousseau's Confessions and Discourses on Inequality and Constant's Adolphe for Oxford World's Classics, and Anger, Gratitude, and the Enlightenment Writer (Oxford, 2011). He has recently edited Helen Constantine's translation of Balzac's The Wild Ass's Skin (forthcoming in Oxford World's Classics, June 2012).