Probably the greatest of any post-war British dramatist

Mark Ravenhill

Bond's work is the work of a powerful writer, and a great and brilliant man of the theatre

Luca Ronconi

To be sane or not to be sane, that is the question – and if not, then be mad and all that follows.

Edward Bond takes from the Greek and Jacobean drama the fundamental classical problems of the family and war to vividly picture our collapsing society.

The war is raging, Dea, a heroine, has committed a terrible act and has been exiled. When she meets someone from her past, she is forcefully confronted by the broken society that drove her to commit her crimes.

Dea received its world premiere at Sutton Theatre on 24 May 2016.

Read more
Edward Bond takes from the Greek and Jacobean drama the fundamental classical problems of the family and war to vividly picture our collapsing society.
Edward Bond is internationally regarded as the UK’s greatest and most influential playwright, having paved the way for later in-yer-face playwrights and having played a key part in the abolition of theatre censorship in the UK
Read more
The Modern Plays series is world famous for containing the work of many of the finest contemporary playwrights. Established in 1959 with the publication of Shelagh Delaney's A Taste of Honey, it remains a series synonymous with the very best in new writing for the stage. Today it features over 1000 plays and continues to grow alongside the staging of new work.
Read more

Product details

ISBN
9781350016286
Published
2016-05-26
Publisher
Bloomsbury Publishing PLC; Methuen Drama
Weight
100 gr
Height
196 mm
Width
128 mm
Thickness
8 mm
Age
P, 06
Language
Product language
Engelsk
Format
Product format
Heftet
Number of pages
104

Author

Biographical note

Edward Bond is widely regarded as the UK's greatest and most influentlial playwright. His plays include The Pope's Wedding (Royal Court Theatre, 1962), Saved (Royal Court, 1965), Early Morning (Royal Court, 1968), Lear (Royal Court, 1971), The Sea (Royal Court, 1973), The Fool (Royal Court, 1975), The Woman (National Theatre, 1978), Restoration (Royal Court, 1981) and The War Plays (RSC at the Barbican Pit, 1985).