“NoËl Valis offers brilliant, innovative insights into a cultural phenomenon that illuminates many aspects of nineteenth- and twentieth-century Spain. As perhaps one of the most distinguished cultural critics of Hispanic studies today, Valis takes an interdisciplinary approach to expose the links between text, economics, politics, and historical events.”-Harriet S. Turner, University of Nebraska “NoËl Valis's writing is powerful and insightful. Her arguments are brilliant, subtle, and carefully textured; they cleverly elucidate the duality of cursi. This is an important, imaginative, fully accomplished book that will be essential reading for anyone interested in understanding more fully the cultural and literary realities of Spain a century ago.”-David T. Gies, University of Virginia

Not easily translated, the Spanish terms cursi and cursilerÍa refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes the idea of bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of CursilerÍa, NoËl Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture.

Valis finds evidence in literature, cultural objects, and popular customs to
argue that cursilerÍa has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- and early-twentieth-century Spain. The Spain of this era, popularly viewed as the European power most resistant to economic and social modernization, is characterized by Valis as suffering from nostalgia for a bygone, romanticized society that structured itself on strict class delineations. With the development of an economic middle class during the latter half of the nineteenth century, these designations began to break down, and individuals across all levels of the middle class exaggerated their own social status in an attempt to protect their cultural capital. While the resulting manifestations of cursilerÍa were often provincial, indeed backward, the concept was-and still is-closely associated with a sense of home. Ultimately, Valis shows how cursilerÍa embodied the disparity between old ways and new, and how in its awkward manners, airs of pretension, and graceless anxieties it represents Spain's uneasy surrender to the forces of modernity.

The Culture of Cursiler
Ía will interest students and scholars of Latin America, cultural studies, Spanish literature, and modernity.

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The Spanish terms cursi and cursileria are not easily translated, but they refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. This book examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture.
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List of Illustrations
Acknowledgments
Introduction
1. On Origins
2. Adorning the Feminine, or the Language of Fans
3. Salon Poets, the Becquer Craze, and Romanticism
4. Textual Economies: The Embellishment of Credit
5. Fabricating History
6. The Dream of Negation
7. The Margins of Home: Modernist Cursileria
8. The Culture of Nostalgia, or the Language of Flowers
9. Coda: The Metaphor of Culture in Post-Franco Spain
Appendix
Notes
Bibliography
Index
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Similar to the term "kitsch" but evoking pretensions to elegance, "cursileria" and its role in the cultural life of modern Spain and the subjects of this work.

Product details

ISBN
9780822329978
Published
2003-01-16
Publisher
Duke University Press; Duke University Press
Weight
771 gr
Height
235 mm
Width
152 mm
Age
P, 06
Language
Product language
Engelsk
Format
Product format
Heftet
Number of pages
277

Author

Biographical note

NoËl Valis is Professor of Spanish at Yale University. Her previous books include The Decadent Vision in Leopoldo Alas and The Novels of Jacinto Octavio PicÓn.