Making Ukraine Soviet Literature and Cultural Politics under Lenin and Stalin
Product details
Biographical note
Olena Palko is Leverhulme Early Career Fellow at Birkbeck, University of London, UK.Palko offers a fascinating tour of the myriad and mercurial cultural institutions of the early Soviet Ukrainian world.
The Times Literary Supplement
Olena Palko’s highly accomplished book represents a ground-breaking contribution to several fields: Soviet history, Ukrainian history and 20th-century Ukrainian and Soviet literature and culture… [It] weaves a vivid picture of a whole literary and artistic culture in a state of flux, excitement and ultimately disillusionment. It is a rare book that has so much to offer to literary scholars and historians alike
BASEES Alexander Nove Prize Committee
[<i>Making Ukraine Soviet</i>] is therefore a very entertaining journey through the history of Ukrainian culture during the period of consolidation of communist power over Ukraine ... this is one of the best books of the last decade as regards research on the history of Ukraine in the early communist era.
H-Ukraine
Palko’s <i>Making Ukraine Soviet </i>represents a novel analytical study of the interwar period of Soviet Ukraine ... Palko’s book will appeal to scholars of Soviet history, literature, and culture, especially those specializing in Soviet Ukraine’s literary and political affairs. It may be equally attractive to a general readership familiar with the works of Tychyna and Khvyliovyi.
Canadian Slavonic Papers
<p>[A] well-researched monograph ... [the book] permit[s] the reader to gain a nuanced understanding of the protagonists both as artists and as political figures.</p>
History: Journal of the Historical Association
Palko’s work therefore has important lessons that reach far beyond the study of the 1920s and early 1930s ... The monograph lays a solid foundation on which other scholars will hopefully build to trace how this dynamic continued to shape Ukrainian culture.
Revolutionary Russia
This is a fresh look at a crucial episode in Soviet history. By following the careers of Mykola Khvyl’ovyi and Pavlo Tychyna, the author unravels tangled threads that united and divided writers, artists and political figures in the 1920s. She argues that a “simple arithmetic” of revolution, a juxtaposition of friends and enemies, cannot explain the situation in Ukraine. Instead, the story of cultural sovietization is best seen as a clash of two competing models: Soviet Ukrainian culture and Soviet culture in the Ukrainian language. The victory of the latter led in 1933 to Khvyl’ovyi’s suicide and Tychyna’s publication of <i>Partiia vede</i> (the Party Leads), the poem that symbolizes his capitulation to the regime’s demands. Drawing on new archival findings, Palko’s study skillfully interweaves political history, biography and literary analysis.
Myroslav Shkandrij, Professor of Slavic Studies, University of Manitoba, Canada
Olena Palko ably charts the emergence of a space called Soviet Ukraine through an engaging and carefully researched narrative. In her telling, Ukrainian writers crafted an emergent national culture, but readers ultimately defined its parameters.
Matthew Pauly, Associate Professor, Michigan State University, USA
Winner of the BASEES Alexander Nove Prize 2021
Winner of The American Association for Ukrainian Studies 2019-2020 Book Prize
Honorable Mention for the ASEEES Omeljan Pritsak Book Prize in Ukrainian Studies 2022
While most studies of Soviet culture assume a model of diffusion, according to which Soviet republics imitated the artistic trends and innovations born in Moscow, Olena Palko adroitly challenges this centre-periphery perspective. Rather than being a mere imposition from above, Making Ukraine Soviet reveals how the process of cultural sovietisation in Ukraine during the interwar years developed from a synthesis of different – and often conflicting – cultural projects both local and Muscovite in orientation.
Engaging with a wide range of primary and secondary sources, including literary and archival material, Palko grounds her argument in the cases of two celebrated and controversial Ukrainian artists: the poet Pavlo Tychyna and prosaist Mykola Khyl’ovyi. Through this unique biographical lens, Palko's skilled analysis of cultural construction sheds fresh light on the complex process of establishing and consolidating the Soviet regime in Ukraine. In doing so, Palko offers a timely re-assessment of the Russo-Ukrainian conflict and adds nuance to current debates on the relationship between national identity, the arts, and the Soviet state.
List of Illustrations
Acknowledgements
Note on Transliteration and Translation
List of Abbreviations
Introduction
Part I. Competing Projects of Ukraine
1. ‘Above Kyiv there is a Golden Hum’: The National Revolution in Kyiv
2. In Search of ‘a blue Savoy’: The Bolshevik Revolution in Kharkiv
Part II. Debating Soviet Culture in Ukraine
3. Towards Soviet Literature in Ukrainian
4. Defending Soviet Ukrainian Literature
Part III. Fitting in the Soviet Cannon
5. ‘Ukraine or Little Russia’: The Battle for Cultural Autonomy in 1926
6. State Appropriation of Literature during the First Five-Year Plan
Epilogue
Bibliography
Index
The Library of Modern Russia series showcases the work of emerging and established writers who are setting new agendas in the field.
At a time when potentially dangerous misconceptions and misunderstandings about Russia abound, titles in the series shed fresh light and nuance on Russian history. Volumes take the idea of ‘Russia’ in its broadest, cultural sense and cover the entirety of the multi-ethnic lands that made up imperial Russia and the Soviet Union. Ranging in chronological scope from the Romanovs to today, the books:
· Re-consider Russia’s history from a variety of inter-disciplinary perspectives
· Explore Russia in its various international contexts, rather than as exceptional or in isolation
· Examine the complex, divisive and ever-shifting notions of ‘Russia’
· Contribute to a deeper understanding of Russia’s rich social and cultural history
· Critically re-assess the Soviet period and its legacy today
· Interrogate the traditional periodisations of the post-Stalin Soviet Union
· Unearth continuities, or otherwise, among the tsarist, Soviet and post-Soviet periods
· Re-appraise Russia’s complex relationship with eastern Europe, both historically and today
· Analyse the politics of history and memory in post-Soviet Russia
· Promote new archival revelations and innovative research methodologies
· Foster a community of scholars and readers devoted to a sharper understanding of the Russian experience, past and present
Editorial Advisory Board
- Michael David-Fox, Professor at Georgetown University, USA
- Mark Edele, Professor of History at the University of Melbourne, Australia
- Sheila Fitzpatrick, Bernadotte E. Schmitt Distinguished Service Professor Emerita at the University of Chicago, USA
- Lucien Frary, Professor at Rider University, USA
- James Harris, Professor at the University of Leeds, UK
- David L. Hoffman, Distinguished Professor of History at the Ohio State University, USA
- Robert Hornsby, Lecturer at the University of Leeds, UK
- Ekaterina Pravilova, Professor of History at Princeton University, USA
- Donald J. Raleigh, Jay Richard Judson Distinguished Professor at the University of North Carolina at Chapel Hill, USA
- Geoffrey Swain, Emeritus Professor of Central and East European Studies at the University of Glasgow, UK
- Vera Tolz-Zilitinkevic, Sir William Mather Professor of Russian Studies at the University of Manchester, UK
- Vladislav Zubok, Professor of International History at the London School of Economics, UK