Alchemies of Blood and Afro-Diasporic Fiction Race, Kinship, and the Passion for Ontology
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Biographical note
Nicole Simek is Cushing Eells Professor of Philosophy and Literature at Whitman College, USA. She is co-editor of Francophone Literature as World Literature (Bloomsbury, 2020), author of two books, including Hunger and Irony in the French Caribbean: Literature and Theory in Public Life (2016), and translator of Maryse Condé's The Belle Créole (2020)This is a refreshing and original reflection on racial theory and contemporary cultural production that speaks aptly to the tensions and anxieties of our times while demonstrating how literature and film can offer salutary alternatives to ongoing racial injustice.
Jane Hiddleston, Professor of Literatures in French, Oxford University, UK
Nicole Simek’s <i>Alchemies of Blood and Afro-Diasporic Fiction </i>offers a trenchant critique of cultural and political bloodlines in contemporary Black thought. In a bold series of case studies, from genealogical analysis to a wonderful juxtaposition of work by Whitehead and Condé, Simek provides fresh thinking on a passion for the real in Black writing. An impressive contribution.
Peter Hitchcock, Professor of English, Baruch College and the Graduate Center, CUNY, USA
Alchemies of Blood and Afro-Diasporic Fiction focuses on the resurgence of biological racism in 21st-century public discourse, the ontological and material turns in the academy that have occurred over the same time period, and how Afro-diasporic fiction has responded to both with alternative visions of bloodlines, kinship, and community.
In thinking through conceptions of race, ethnicity, and materiality at work within both humanities research and popular culture, Nicole Simek asks how the figure of alchemy – that semi-scientific, semi-mystical search for gold and the elixir of long life – can help scholars address the epistemological and affective investments in blood, bloodlines, and genetics marking both academic and mainstream discourses. To answer this question, Simek examines neo-plantation and Afrofuturist narratives, Afropessimist interventions, museums and public memory projects, and direct-to-consumer genetic testing services in the French Caribbean and the United States. This comparative approach to cultural production helps pinpoint and better understand the intersections and divergences between scholarship trends and troubling features of a broader Zeitgeist.
Acknowledgments
Introduction: Race and the Passion for the Real
1. Genealogies That Matter
2. Amnesiac Meditations, or Kinship in the Breach
3. Future Ancestors
4. Fugitive Belongings
Conclusion: Alchemy's Reason
Notes
Works Cited
Index