'A valuable contribution not only to the study of late eighteenth-century opera but to our awareness of the priorities, absorptions and obsessions of cultured Europe on the eve of the French Revolution.' The Times Literary Supplement
Sentimental Opera is a study of the relationship between opera and two major phenomena of eighteenth-century European culture - the cult of sensibility and the emergence of bourgeois drama. A thorough examination of social and cultural contexts helps to explain the success of operas such as Paisiello's Nina as well as the extreme emotional reactions of their audiences. Like their counterparts in drama, literature and painting, these works brought to the fore serious contemporary problems including the widespread execution of deserters, the treatment of the insane, and anxieties relative to social and familial roles. They also developed a specifically operatic version of the dominant language of sensibility. This wide-ranging study involves such major cultural figures as Goldoni, Diderot and Mozart, while refining our understanding of the theatrical genre system of their time.
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Preface; A prologue on genre; 1. Pamela goes to the opera; 2. The emergence of bourgeois drama; 3. The codification of bourgeois drama; 4. Opera as drame; 5. Sensibility and the moral cure; 6. A sentimental opera; 7. Sentimental, anti-sentimental; 8. Avenues; Appendix: Bartolomeo Benincasa's preface to Il disertore (1784).
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Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.
Product details
ISBN
9780521632140
Published
2013-10-24
Publisher
Cambridge University Press; Cambridge University Press
Weight
770 gr
Height
252 mm
Width
182 mm
Thickness
18 mm
Age
P, 06
Language
Product language
Engelsk
Format
Product format
Innbundet
Number of pages
294
Author