This book examines the dynamic intermingling of Asian performance of theatre and dance across the borders of the ancient Silk Road, which connected China with cultures and countries throughout Asia, and beyond.

Revealing the dynamic interweaving of cultures between China and its neighbors from the time of the ancient Silk Road to modern times, the book demonstrates how such interweaving has been reflected and embodied in the performance forms and genres of East, South, and Southeast Asia. Through individual explorations of the artistic expressions in these Asian countries, the book reveals the transformative impact of the dissemination and interfusion of religion, beliefs, and cultural practices on the development of performance arts/genres in Asia. The book effectively displays how this robust interfusion across borders left a profound and indelible imprint on the various forms of artistic expression.

Representing a succinct analysis of the thousands of years of intercultural cross-fertilization and diffusion across borders of the performing arts in Asia, this book makes an important contribution to transcultural studies in theatre, dance, performance, literature.

Read more

This book examines the dynamic intermingling of Asian performance of theatre and dance across the borders of the ancient Silk Road, which connected China with cultures and countries throughout Asia, and beyond.

Read more

1. Introduction 2. Yangge: Han and Ethnic Folk Dance Drama in Northern China after Yuan zaju Period 3. Fan Dance, Masked Dance, and The Divine in East Asia/China 4. Golden-Winged Bird, Flying Apsaras, Thousand-Hand Avalokitesvara, and Indian Buddhism Influence on Performance Arts in China 5. Kinnara, Kinnari, Peacock Dance, and Water Puppetry: Performances in China and Southeast Asian Countries 6. Beckett, Sartre, and Brecht on the Drama/Theatre Scenes in China 7. Conclusion

Read more

Product details

ISBN
9781032595276
Published
2024-12-31
Publisher
Taylor & Francis Ltd; Routledge
Weight
453 gr
Height
234 mm
Width
156 mm
Age
U, 05
Language
Product language
Engelsk
Format
Product format
Innbundet
Number of pages
200

Author

Biographical note

Wei Zhang is Professor at Hangzhou Normal University. She is the author of Chinese Adaptations of Brecht: Appropriation and Intertextuality (2020). Her research has been published in Theatre Research International, Asian Theatre Journal, Comparative Drama, Classical Receptions Journal, and many other journals.