This fascinating book examines the significance of girls’ hair styles within the context of gendered, class-based, and racialised identities on screen (and off). Arguing for the importance of the apparently trivial, Handyside’s analysis offers new insights for film/media studies, cultural studies, and gender studies. A sparkling contribution to scholarship.

Elizabeth Ezra, Professor of Cinema and Culture, The University of Stirling

Why have dynamic and shifting hairstyles, from Katniss Everdeen's Power Plait to JoJo Siwa's outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, this book shows how across different cultural levels and aimed at different audiences, girls' hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.
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Examines how girls' hairstyles have become such a significant part of how girlhood is articulated in contemporary visual cultures.
List of Figures Acknowledgments Introduction: The New Postfeminism, Girls and Hair 1. Power-Plaits 2. Rebellious Redheads 3. Black Girls and the Racial Politics of Hair 4. Hair Cuts and Short Hair 5. Hair Accessories: Bows, Clips and Slides 6. Long Loose Hair and the Veil Conclusion Appendix: Soundtrack References Index
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Studies a range of girlhood films including Frozen (Buck and Lee, 2013), The Hunger Games (Ross, 2012), and Bande de filles/Girlhood (Sciamma, 2014)

Product details

ISBN
9781399506939
Published
2025-02-28
Publisher
Edinburgh University Press; Edinburgh University Press
Height
234 mm
Width
156 mm
Age
UP, 05
Language
Product language
Engelsk
Format
Product format
Innbundet

Biographical note

Fiona Handyside is Associate Professor of Film Studies in the department of Communications, Drama and Film at the University of Exeter. She is the author of Sofia Coppola: A Cinema of Girlhood (2017) and the co-editor of International Cinema and the Girl: Local Issues, Transnational Contexts (2016). She has also written Cinema at the Shore: The Beach in French Cinema (2014) and edited Eric Rohmer: Interviews (2013).