Product details
Biographical note
William McEvoy is Associate Professor in Drama and English in the Faculty of Media, Arts, and Humanities, University of Sussex, UK.
Joseph Ronan is Senior Lecturer in the School of Humanities and Social Science at the University of Brighton, UK.
This book explores Neil Bartlett’s groundbreaking contributions to queer cultural production in the United Kingdom. It adopts a range of critical perspectives, presenting original scholarship on Bartlett’s fiction, theatre, performance, site-specific work, and adaptations, as well as more personal reflections on Bartlett’s influence and legacy.
Charting his emergence as a radical queer artist in the 1970s, his writing for performance and theatre in the 1980s to the present day, and his evocative novels about queer spaces and hidden histories, the book considers Bartlett’s works as ‘invitations to speculate’: to view and imagine otherwise, as part of a political aesthetics committed to making queer lives visible. Bartlett’s bold, sensuous, and challenging work crosses genres to find new ways of articulating queer desires, unearthing histories of the body, pleasure, and gay subjectivity while connecting queer experiences across time.
Dealing with topics including memory and loss, AIDS and its legacy, marginality, community, and identity, the collection shows how Bartlett embraces the past as a way of reimagining queer futures and demonstrates his status as one of the UK’s leading queer artists.
This book explores Neil Bartlett’s groundbreaking contributions to queer cultural production in the UK. It adopts a range of critical perspectives, presenting original scholarship on Bartlett’s fiction, theatre, performance, site-specific work, and adaptations, as well as more personal reflections on Bartlett’s influence and legacy.
List of Contributors
Acknowledgments
Introduction
William McEvoy and Joseph Ronan
Part I. Time: Archives and history
Chapter 1. ‘What if this was actually happening?’ An Interview with Neil Bartlett
William McEvoy and Joseph Ronan
Chapter 2. Tell Me Who I Am: History, Anachronism, and Resemblance in the Time of AIDS
Dominic Johnson
Chapter 3. ‘All of Me’
Nando Messias
Part II. Space: Sites of performance
Chapter 4. The Boys in the Back Room: Night After Night and The Disappearance Boy
Deborah Philips
Chapter 5. Mostly Glorious: Bartlett’s Adaptive Work with Gloria
Michael Fry
Chapter 6. Site-specific Bartlett
William McEvoy
Chapter 7. Bartlett's ‘Brechtian’ Adaptations: The Plague and Orlando
Alex Watson
Part III. Self: Intimate communities
Chapter 8. Queer Ways of Coming Out in Neil Bartlett’s Ready to Catch Him Should He Fall
Andrés Ibarra Cordero
Chapter 9. The Price of Queer Admission
Joseph Ronan
Chapter 10. ‘Making things mean something’: Allegory and Myth Making in Neil Bartlett’s Skin Lane
Irralie Doel
Chapter 11. Neil Bartlett, out loud
Vincent Quinn
Index
Product details
Biographical note
William McEvoy is Associate Professor in Drama and English in the Faculty of Media, Arts, and Humanities, University of Sussex, UK.
Joseph Ronan is Senior Lecturer in the School of Humanities and Social Science at the University of Brighton, UK.