The Dream Hotel offers a stark vision of the future – in which America is a surveillance state, ruled by the intertwined forces of capital and government, powered by an all-too-fallible algorithm that determines criminality based on citizen’s dreams. That’s plainly a metaphor for extant practices of social control, but Laila Lalami’s extraordinary new novel is more than just a political warning; the book is an exploration of the psyche itself, the strange ungovernable forces of fate and emotion that make us human
- Rumaan Alam, bestselling author of LEAVE THE WORLD BEHIND,
A gripping, Kafkaesque foray into an all-too-plausible future where data collection penetrates interior life, The Dream Hotel is also an elegant meditation on identity, motherhood, and what we sacrifice, unthinkingly, for the sake of convenience
- Jennifer Egan, Pulitzer Prize-winning author of THE CANDY HOUSE,
A thought provoking and compellingly plausible novel. Totally immersive and unputdownable
- John Marrs,
Absolutely unputdownable. Lalami's protagonist is flawed in ways that frustrate and panic us partly because they're so relatable: these are the mistakes we would end up making; this is how we would find ourselves the victims of the new security technologies that promise to keep us safe. It's also a great work about the warped logic of mass incarceration; a sci-fi take on The Mars Room for the era of ubiquitous surveillance. This is one I'll be thinking about for a long time.
- Sandra Newman,
I was utterly gripped, caught up, as if I was living the same nightmare as Sara. It felt terrifyingly and convincingly close
- Esther Freud,
A terrifying, thought-provoking and timely exploration of the inevitable march of algorithms and data-harvesting into our innermost lives. The Dream Hotel offers not only a real-feeling diorama of an extensively-surveilled prison population, but a masterclass in the art of cortisol-raising - to be filed alongside The Trial and The School for Good Mothers
- Jo Harkin,
Stellar ... There are echoes of The Handmaid’s Tale here – as Margaret Atwood does in that book, Lalami builds a convincing near-future dystopia out of current events ... But Lalami’s scenario is unique and well-imagined – interspersed report sheets, transcripts, and terms-of-service lingo have a realistic, poignant lyricism that exposes the cruel bureaucracy in which Sara is trapped ... And the story exposes the particular perniciousness of big tech’s capacity to exploit our every movement, indeed practically every thought ... Striking ... An engrossing and troubling dystopian tale
Kirkus