Doctor Faustus is Mann's deepest artistic gesture
The New Republic
Arguably<i> the</i> great German novel
New York Times
Perhaps not since Thomas Mann's <i>Doctor Faustus</i><i> </i>has a novelist conveyed so tangibly and exaltedly the mechanism and the aesthetic effect in musical performance
New York Times
The real masterpiece
New York Times
Mann struggled with his own conflicted feelings about Germany and German culture, and in his magisterial <i>Doctor Faustus</i> found the perfect metaphor for what his country had done; it had bargained with the devil, and lost.
The Herald
Produktdetaljer
Om bidragsyterne
Thomas Mann was born in 1875 in Lübeck, of a line of prosperous and influential merchants. Mann was educated under the discipline of North German schoolmasters before working for an insurance office aged nineteen. During this time he secretly wrote his first tale, Fallen, and shortly afterwards left the insurance office to study art and literature at the University in Munich. After a year in Rome he devoted himself exclusively to writing.
He was only twenty-five when Buddenbrooks, his first major novel, was published. Before it was burned by Hitler, it had sold over a million copies in Germany alone. His second great novel, The Magic Mountain, was published in 1924 and the first volume of his tetralogy Joseph and his Brothers in 1933. In 1929 he was awarded the Nobel Prize for literature. In 1933 Thomas Mann left Germany to live in Switzerland. Then, after several previous visits, in 1938 he settled in the United States where he wrote Doctor Faustus and The Holy Sinner. Among the honours he received in the USA was his appointment as a Fellow of the Library of Congress. He revisited his native country in 1949 and returned to Switzerland in 1952, where The Black Swan and Confessions of Felix Krull were written and where he died in 1955.