Produktdetaljer
Om bidragsyterne
Jeremy Cooper is a writer and art historian, author of seven previous novels and several works of non-fiction, including the standard work on nineteenth century furniture, studies of young British artists in the 1990s, and, in 2019, the British Museum’s catalogue of artists’ postcards. Early on he appeared in the first twenty-four of BBC’s Antiques Roadshow and, in 2018, won the first Fitzcarraldo Editions Novel Prize for Ash before Oak.
<p>‘It’s very hard indeed to write fiction about music but Jeremy Cooper does so with triumphant aplomb. <em>Discord</em> is a tremendous, quietly enthralling achievement.’<br />
— William Boyd, author of <em>The Predicament</em> </p>
<p>‘Jeremy Cooper's <em>Discord</em> is as nakedly truthful a novel as you could ever hope to read. Its characters are completely and utterly convincing and their interactions with one another are filled with all of the loveliness and foolishness and tenderness of real life.’<br />
— Aidan Cottrell-Boyce, author of <em>The End of Nightwork</em></p>
<p>‘Quietly, irresistibly compelling. Jeremy Cooper’s interior worlds fill you up, become the air around you, conduct the sounds of every day – while you are reading, and while the book waits for you to pick it up again. <em>Discord</em> is an enthralling human melody.’<br />
— Ben Pester, author of <em>The Expansion Project</em></p>
<p>‘Easily the best novel I’ve read this decade.’<br />
— Olivia Laing, <em>Guardian </em>(praise for <em>Brian</em>)</p>
<p>‘<em>Brian </em>is affecting, funny and, at 184 pages, a skilfully compressed chronicle of one man’s life and the cornucopia of film that enriches it.’<br />
— Max Liu, <em>Financial Times </em>(praise for <em>Brian</em>)</p>
<p>‘Cooper does a superb job of inhabiting this singular character’s point of view, and of deftly weaving into the narrative Brian’s thoughts and feelings about the films he sees. I was delighted by the book’s gentle humor and lucid prose style, and I can think of no finer exploration of what can happen when a person is fully open and attentive to art, and how a shared passion for art can connect people to one another.’<br />
— Sigrid Nunez, <em>New Yorker </em>(praise for <em>Brian</em>)</p>
<p>‘There’s a strange magic to Jeremy Cooper’s writing. The way he puts words together creates an incantatory effect. Reading him is to be spellbound, then. I have no idea how he does it, only that I am seduced.’<br />
— Ben Myers, author of <em>The Offing </em>(praise for <em>Brian</em>)</p>
<p>‘What makes Jeremy Cooper’s seventh novel appealing and convincing is the author’s serene prose and tender, understated empathy…. This is an affectionate, thoughtful portrait of a gentle soul.’<br />
— David Collard, <em>Times Literary Supplement </em>(praise for <em>Brian</em>)</p>
Jeremy Cooper, the author of Brian, returns with Discord, a subjective journey through the world of classical music. On a night in August, an audience at the Royal Albert Hall attends the first ever concert of Distant Voices. The Proms performance is the culmination of a year’s work between the middle-aged composer Rebekah Rosen and the young star-saxophonist Evie Bennet. Alternating between both perspectives, Discord charts the course of their intense and at times fractious relationship, the resonances and dissonances both women find within one another, as well as the struggles and satisfactions that accompany an artistic life. At the heart of the novel is an inquiry into the generative force behind creative collaboration. In what ways does the inexpressible – that amorphous space of friction and unity between musicians – become indelible? And by what process do flawed individuals create works of transcendence? Deeply insightful, at turns poignant and wry, Discord affirms Jeremy Cooper's status as one of the most interesting fiction writers at work today.
Charting the course of the intense and at times fractious relationship between middle-aged composer Rebekah Rosen and the young star-saxophonist Evie Bennet, Discord is a wry and insightful exploration of creative collaboration.
Produktdetaljer
Om bidragsyterne
Jeremy Cooper is a writer and art historian, author of seven previous novels and several works of non-fiction, including the standard work on nineteenth century furniture, studies of young British artists in the 1990s, and, in 2019, the British Museum’s catalogue of artists’ postcards. Early on he appeared in the first twenty-four of BBC’s Antiques Roadshow and, in 2018, won the first Fitzcarraldo Editions Novel Prize for Ash before Oak.