Luce Irigaray presents international, intercultural, intergenerational dialogues around her work in this collection of essays on Irigaray's work by an intergenerational, international range of contributors. Each paper is followed by questions from Irigaray and then a response by the author of the paper.

Introduction, Luce Irigaray; Reading - Interpreting - Imparting; Poetic Nuptials, Judith Still, University of Nottingham; Reading and Rethinking the Subject in Luce Irigaray's Recent Work, Heidi Bostic, Michigan Technological University; On Faithfulness in Translating, Kaisa Kukkola, University of Turku; Philosophy - Ethics - Politics; To the Other as Other - Hearing, Listening, Understanding, Stephen Pluhacek, Michigan Technological University; From the Same to the Other, Florinda Trani, University of Lecce; A Gendered Education towards the Fulfilment of Democracy, Marie Jose Garcia Oramas, University of Mexico; Why Cultivate Difference?, Luce Irigaray; Painting - Architecture - Cinema; Approaching Painting through Feminine Morphology, Hilary Robinson, University of Ulster; Love in Architecture, Andrea Wheeler, University of Nottingham; Light, Colour and Sound in Cinema, Liz Watkins, University of Leeds; Feminine Enunciation in Cinema; (Caroline Bainbridge, University of East London; Being Two, How Many Eyes Have We?; (Luce Irigaray; Feminine in Theology and Philosophy of Religions; Access or Barrier to Goddess Talk?; (Laine Harrington, Graduate Theological Union Berkeley; Incarnation: The Flesh Becomes Word; (Anne-Claire Mulder, University of Utrecht; Divine Love, Morny Joy, University of Calgary; Conclusions, Luce Irigaray.