Produktdetaljer
Om bidragsyterne
Melissa Harrison is the author of the novels Clay and At Hawthorn Time, which was shortlisted for the Costa Novel Award and longlisted for the Bailey’s Women’s Prize, and one work of non-fiction, Rain, which was longlisted for the Wainwright Prize. She is a nature writer, critic and columnist for The Times, the Financial Times and the Guardian, among others.
melissaharrison.co.uk / @M_Z_Harrison
Powerful and beautifully written … Harrison is the traditional being, a nature writer with a knowledge and eye for detail that recalls Thomas Hardy and John McGahern. And that makes this novel impossible to forget
The Times
A work of rare magic
- Helen Macdonald, author of 'H is for Hawk',
An incredible evocation of one particular corner of rural England in the 1930s ... with this novel she's done what I've long suspected she would:<b> </b>she's written a masterpiece
- Jon McGregor, author of 'Reservoir 13',
A powerful and lyrical coming-of-age story from a writer who is fast establishing herself as one of the best contemporary exponents of the pastoral novel
Observer
A deeply atmospheric work, steeped in the rhythms and traditions of the English countryside and the rhythms and traditions of its literature. Its texture – dense, hypnotic and beautifully rendered – is oddly daring. The fusing of ancient natural cycles and farming techniques with powerfully descriptive prose and rich characterisation feels luxuriant on the page … Startling
Financial Times
The sleeper hit of the year
New Stateman
A really fine, absorbing novel
Jonathan Coe
A novel of acute psychology and subtle political sense, portrayed in language of sheer largesse. It describes a land resplendent and saturated with summer, but known dangers flicker on the edges: debt, crop failure, illness and accident … Set in Suffolk, mainly in 1934, it is an exquisitely intelligent take on the pastoral form
TLS
Truly towering … nature, land, nationalism, war, death, patriarchy and the whole damn thing
- Giles Coren,
Nostalgia, nationalism and superstition all play their part in an acutely observed narrative that is as pertinent to the here and now as it is evocative of its time and place
- The Best New Fiction, Mail on Sunday
Looking through Melissa Harrison’s eyes provides a new way of seeing everything. Her descriptions of nature are so vivid that in some passages you hear and smell as well as see. Such original and intelligent writing is rare
Literary Review
A tale of rural Suffolk in the 1930s which is both loving in its detail, yet also clear-sighted enough to see the pitfalls of revering the land in ways that can lead down dangerous paths, towards blood and soil ideology
- Tracey Thorn, New Statesman
A beautiful and wholly tragic novel
Daily Mail
Harrison is adept at making several realities exist uncannily alongside one another. She conjures up nature, with its timeless rhythms and beauty, and invades it with the political … This accomplished novel explores many things; perhaps above all it is an argument about the danger of solipsism, and a demonstration of what tragedies might occur if one cannot escape a narrow viewpoint to consider the wider picture
Spectator
What a brilliant and timely novel <i>All Among The Barley</i> is. Deeply evocative of a historical moment - rural England between the wars, before mechanisation - it is also, unmistakably, about questions that press hard on us now, above all the dangers of nationalism, and how easily a love of place can be corrupted into something dark and exclusionary. This is an important book by a writer of great gifts
- Robert Macfarlane,
In <i>All Among the Barley</i>, Melissa Harrison has created a central character to rival Cassandra in <i>I Capture the Castle</i>. A remarkable and haunting book
- Evie Wyld,
A beautiful, heartbreaking novel of great power. Melissa Harrison has built a world for us, and peopled it, making it solid and real, and all the time making one aware of an awesome fragility – of human minds and bodies, of farmers under politicians and under nature, of ideas that might transform lives or might destroy them. I've been privileged to inhabit this world
- Tim Pears, author of 'The Horseman',
Both beautifully evocative and a gripping read – a rare combination … Throughout, it is suffused with the gorgeous language and keen insight into the natural world that has marked Harrison's work since <i>Clay</i>
Harper's Bazaar
Melissa Harrison is a dazzlingly gifted writer, and <i>All Among the Barley</i> confirms her as a novelist whose lyrical descriptions of nature and rural English life, harnessed to a gripping plot and varied cast of characters, deserves the widest readership. This is right up with the very best classic novels of inter-War country life – its beauties, sorrows, injustices and realities
- Amanda Craig, author of 'The Lie of the Land',
Harrison is readily comparable with Elizabeth Taylor and Penelope Lively; but she has a distinction all her own – and her growing audience must hope to live long enough to read everything she writes
Spectator
Harrison’s love of the natural world and its traditions vibrates poetically through every page … Harrison’s imagination is wonderfully strange, her writing beautifully assured and controlled
The Times
Harrison’s surpassed herself with this one
A Life in Books
Melissa Harrison’s powerful third novel is a sympathetic portrayal of a mind unravelling in the context of a community that is likewise losing its way. A glimpse of history with a lesson for today
Annethology
A heartbreaker of a book
Psychologies
An atmospheric and evocative tale about rural England in the 1930s
The Times
Produktdetaljer
Om bidragsyterne
Melissa Harrison is the author of the novels Clay and At Hawthorn Time, which was shortlisted for the Costa Novel Award and longlisted for the Bailey’s Women’s Prize, and one work of non-fiction, Rain, which was longlisted for the Wainwright Prize. She is a nature writer, critic and columnist for The Times, the Financial Times and the Guardian, among others.
melissaharrison.co.uk / @M_Z_Harrison