“[R]equired reading for all Latinos. . . . This important reader provides critical information from a wide variety of approaches on the evolution and current realities of Black Latinos and Latinas. From poetic to musical to social scientific sources, this is a powerful 360-degree treatment of the subject.” - Angelo Falcón, <i>National Institute for Latino Policy Book Notes</i>
“This exciting collection is a great resource for anyone interested in Ethnic Studies, Cultural Studies, or American Studies.” - Jenell Navarro, <i>Women’s Studies</i>
“As a collection of pieces, many of which have been published previously, <i>The Afro-Latin@ Reader</i> ultimately serves as a compact archive of materials from various academic disciplines and creative genres that details the Afro-Latina/o experience in the United States. . . . <i>The Afro-Latin@ Reader </i>makes accessible to students, scholars, and the general public a virtually ignored set of important contributions, not only to the study of Afro-Latina/os, but to the discourse about race in the United States more generally.” - Petra R. Rivera, <i>Transition</i>
“The collected works in The Afro-Latin@ Reader broaden definitions of blackness and latinidad and reveal the multiple ways in which Afro-Latino/as navigate national and cultural histories that have consistently denigrated or dismissed their African heritage and challenge US racial classifications that dismiss their cultural background and linguistic difference. The <i>Afro-Latin@ Reader </i>invites us to move beyond a binary understanding of racial identity and to embrace the allegiances that may be forged and, in many instances, have been forged among Afro-Latino/as, Latinos/as, African Americans, and other underrepresented groups in the US.” - Sobeira Latorre, <i>Anthurium: A Caribbean Studies<br />Journal</i>
“<i>The Afro-Latin@ Reader</i> assembles in one place an extraordinary range of articles, chapters, and first-person accounts of Afro-Latin@ identity. These pieces show that explorations of Afro-Latin@ identities quickly reveal significant hidden histories of racialization, colonization, exploitation, and social mobilization. They complicate our understanding of the U.S. racial order and its complex systems of inclusion and exclusion. This collection is a much-needed addition to scholarship in ethnic studies.”—<b>George Lipsitz</b>, author of <i>American Studies in a Moment of Danger</i>
“<i>The Afro-Latin@ Reader</i> is a superb collection, one that I cannot wait to use in my own courses. For some time now, scholars have engaged the history and anthropology of Black populations in Latin America, but the scholarship on the Afro-Latin@ presence (as configured on this side of the Rio Grande) has been more episodic and, to some extent, under-theorized. The breadth of <i>The Afro-Latin@ Reader</i>, as well as its effort to actually define the entire field, makes it a unique scholarly contribution.”—<b>Ben Vinson III</b>, co-author of <i>African Slavery in Latin America and the Caribbean</i>
“[R]equired reading for all Latinos. . . . This important reader provides critical information from a wide variety of approaches on the evolution and current realities of Black Latinos and Latinas. From poetic to musical to social scientific sources, this is a powerful 360-degree treatment of the subject.”
- Angelo Falcón, National Institute for Latino Policy Book Notes
“As a collection of pieces, many of which have been published previously, <i>The Afro-Latin@ Reader</i> ultimately serves as a compact archive of materials from various academic disciplines and creative genres that details the Afro-Latina/o experience in the United States. . . . <i>The Afro-Latin@ Reader </i>makes accessible to students, scholars, and the general public a virtually ignored set of important contributions, not only to the study of Afro-Latina/os, but to the discourse about race in the United States more generally.”
- Petra R. Rivera, Transition
“The collected works in The Afro-Latin@ Reader broaden definitions of blackness and latinidad and reveal the multiple ways in which Afro-Latino/as navigate national and cultural histories that have consistently denigrated or dismissed their African heritage and challenge US racial classifications that dismiss their cultural background and linguistic difference. The <i>Afro-Latin@ Reader </i>invites us to move beyond a binary understanding of racial identity and to embrace the allegiances that may be forged and, in many instances, have been forged among Afro-Latino/as, Latinos/as, African Americans, and other underrepresented groups in the US.”
- Sobeira Latorre, Anthurium
While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.
Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood
Editorial Note xv
Introduction 1
I. Historical Background before 1900
The Earliest Africans in North America / Peter H. Wood 19
Black Pioneers: The Spanish-Speaking Afroamericans of the Southwest / Jack D. Forbes 27
Slave and Free Women of Color in the Spanish Ports of New Orleans, Mobile, and Pensacola / Virginia Meacham Gould 38
Afro-Cubans in Tampa / Susan D. Greenbaum 51
Excerpt from Pulling the Muse from the Drum / Adrian Castro 62
II. Arturo Alfonso Schomburg
Excerpt from Racial Integrity: A Plea for the Establishment of a Chair of Negro History in Our Schools and Colleges / Arturo Alfonso Schomburg 67
The World of Arturo Alfonso Schomburg / Jesse Hoffnung-Garskof 70
Invoking Arturo Schomburg's Legacy in Philadelphia / Evelyne Laurent-Perrault 92
III. Afro-Latin@s on the Color Line
Black Cuban, Black American / Evelio Grillo 99
A Puerto Rican in New York and Other Sketches / Jesus Colon 113
Melba Alvarado, El Club Cubano Inter-Americano, and the Creation of Afro-Cubanidades in New York City / Nancy Raquel Mirabel 120
An Uneven Playing Field: Afro-Latinos in Major League Baseball / Adrian Burgos Jr. 127
Changing Identities: An Afro-Latino Family Portrait / Gabriel Haslip-Viera 142
Eso era tremendo!: An Afro-Cuban Musician Remembers / Graciela Perez Gutierrez 150
IV. Roots of Salsa: Afro-Latin@ Popular Music
From "Indianola" to "No Colá": The Strange Career of the Afro-Puerto Rican Musician / Ruth Glasser 157
Excerpt from cu/bop / Louis Reyes Rivera 176
Bauzá–Gillespie–Latin/JAzz: Difference, Modernity, and the Black Caribbean / Jairo Moreno 177
Contesting that Damned Mambo: Arsenio Rodriguez and the People of El Barrio and the Bronx in the 1950s / David F. Garcia 187
Boogaloo and Latin Soul / Juan Flores 199
Excerpt from the salsa of bethesda fountain / Tato Laviera 207
V. Black Latin@ Sixties
Hair Conking: Buy Black / Carlos Cooks 211
Carlos A. Cooks: Dominican Garveyite in Harlem / Pedro R. Rivera 215
Down These Mean Streets / Piri Thomas 219
African Things / Victor Hernandez Cruz 232
Black Notes and "You Do Something to Me" / Sandra Maria Esteves 233
Before People Called Me a Spic, They Called Me a Nigger / Pablo "Yoruba" Guzman 235
Excerpt from Jíbaro, My Pretty Nigger / Felipe Luciano 244
The Yoruba Orisha Tradition Comes to New York City / Marta Moreno Vega 245
Reflections and Lived Experiences of Afro-Latin@ Religiosity / Luis Barrios 252
Discovering Myself / Un Testimonio / Josefina Baez 266
VI. Afro-Latinas
The Black Puerto Rican Woman in Contemporary American Society / Angela Jorge 269
Something Latino Was Up with Us / Spring Redd 276
Excerpt from Poem for My Grifa-Rican Sistah, or Broken Ends Broken Promises / Mariposa (María Teresa Fernandez) 280
Latinegras: Desired Women—Undesirable Mothers, Daughters, Sisters, and Wives / Marta I. Cruz-Janzen 282
Letter to a Friend / Nilaja Sun 296
Uncovering Mirrors: Afro-Latina Lesbian Subjects / Ana M. Lara 298
The Black Bellybutton of a Bongo / Marianela Medrano 314
VII. Public Images and (Mis)Representations
Notes on Eusebia Cosme and Juano Hernandez / Miriam Jimenez Roman 319
Desde el Mero Medio: Race Discrimination within the Latino Community / Carlos Flores 323
Displaying Identity: Dominicans in the Black Mosaic of Washington, D.C. / Ginetta E. B. Candelario 326
Bringing the Soul: Afros, Black Empowerment, and Lucecita Benítez / Yeidy M. Rivero 343
Can BET Make You Black? Remixing and Reshaping Latin@s on Black Entertainment Television / Ejima Baker 358
The Afro-Latino Connection: Can this group be the bridge to a broadbased Black-Hispanic alliance? / Alan Hughes and Milca Esdaille 364
VIII. Afro-Latin@s in the Hip Hop Zone
Ghettocentricity, Blackness, and Pan-Latinidad / Raquel Z. Rivera 373
Chicano Rap Roots: Afro-Mexico and Black-Brown Cultural Exchange / Pancho McFarland 387
The Rise and Fall of Reggaeton: From Daddy Yankee to Tego Calderon and Beyond / Wayne Marshall 396
Do Platanos Go wit' Collard Greens? / David Lamb 404
Divas Don't Yield / Sofia Quintero 411
IX. Living Afro-Latinidads
An Afro-Latina's Quest for Inclusion / Yvette Modestin 417
Retracing Migration: From Samana to New York and Back Again / Ryan Mann-Hamilton 422
Negotiating among Invisibilities: Tales of Afro-Latinidades in the United States / Vielka Cecilia Hoy 426
We Are Black Too: Experiences of a Honduran Garifuna / Aida Lambert 431
Profile of an Afro-Latina: Black, Mexican, Both / Maria Rosario Jackson 434
Enrique Patterson: Black Cuban Intellectual in Cuban Miami / Antonio Lopez 439
Reflections about Race by a Negrito Acomplejao / Eduardo Bonilla-Silva 445
Divisible Blackness: Reflections on Heterogeneity and Racial Identity / Silvio Torres-Saillant 453
Nigger-Reecan Blues / Willie Perdomo 467
X. Afro-Latin@s: Present and Future Tenses
How Race Counts for Hispanic Americans / John R. Logan 471
Bleach in the Rainbow: Latino Ethnicity and Preferences for Whiteness / William A. Darity Jr., Jason Dietrich, and Darrick Hamilton 485
Brown Like Me? / Ed Morales 499
Against the Myth of Racial Harmony in Puerto Rico / Afro-Puerto Rican Testimonies Project 508
Mexican Ways, African Roots / Lisa Hoppenjans and Ted Richardson 512
Afro-Latin@s and the Latino Workplace / Tanya Kateri Hernandez 520
Racial Politics in Multiethnic America: Black and Latina/o Identities and Coalitions 527
Afro-Latinism in United States Society: A Commentary / James Jennings 540
Sources and Permissions 547
Contributors 551
Index 559
Produktdetaljer
Om bidragsyterne
Miriam Jiménez Román is a visiting scholar in the Africana Studies Program at New York University and Executive Director of afrolatin@ forum, a research and resource center focusing on Black Latin@s in the United States.
Juan Flores is Professor in the Department of Social and Cultural Analysis at New York University. His most recent works include The Diaspora Strikes Back: Caribeño Tales of Learning and Turning, From Bomba To Hip-Hop: Puerto Rican Culture and Latino Identity, and the English translation of Edgardo Rodríguez Juliá’s book Cortijo’s Wake, also published by Duke University Press.