Nature and the Numinous in Mythopoeic Fantasy Literature
Produktdetaljer
Om bidragsyterne
Chris Brawley is a professor of religion, humanities and English at Central Piedmont Community College in Charlotte, North Carolina.“Brawley puts a fresh spin on classic mythopoeic fantasy...his ideas are intriguing...recommended”—<i>Choice</i>; “enticing. Through interaction with fantasy literature, Brawley succeeds in widening the field of ecocriticism to include nonmimetic literature”—<i>Oxford University Press Journals Interdisciplinary Studies in Literature and the Environment</i>.
This book makes connections between mythopoeic fantasy--works that engage the numinous--and the critical apparatuses of ecocriticism and posthumanism. Drawing from the ideas of Rudolf Otto in The Idea of the Holy, mythopoeic fantasy is a means of subverting normative modes of perception to both encounter the numinous and to challenge the perceptions of the natural world. Beginning with S.T. Coleridge's theories of the imagination as embodied in The Rime of the Ancient Mariner, the book moves on to explore standard mythopoeic fantasists such as George MacDonald, C.S. Lewis, and J.R.R. Tolkien. Taking a step outside these men, particularly influenced by Christianity, the concluding chapters discuss Algernon Blackwood and Ursula Le Guin, whose works evoke the numinous without a specifically Christian worldview.
Preface
Introduction. Fantasy: Recovering What Was Lost
One. “Quieting the Eye”: The Perception of the Eternal through the Temporal in Coleridge’s The Rime of the Ancient Mariner
Two. The Ideal and the Shadow: George MacDonald’s Phantastes
Three. “Further Up and Further In”: Apocalypse and the New Narnia in C.S. Lewis’s The Last Battle
Four. The Fading of the World: Tolkien’s Ecology and Loss in The Lord of the Rings
Five. Affirming the World that Swerves: The Alter-Tales in Algernon Blackwood’s The Centaur and Ursula Le Guin’s Buffalo Gals and Other Animal Presences
Six. “A daisy is nearer heaven than an airship”: The Utopian Vision in Algernon Blackwood’s The Centaur
Seven. “Yes. You can keep your eye”: Ursula Le Guin’s Buffalo Gals and Other Animal Presences
Eight. The Sacramental Vision: Perceiving the World Anew
Bibliography
Index