<p>'I loved it: a bleakly funny, off-kilter examination of the dynamics of power and attraction. I raced through it' <strong>Rebecca Wait, author of <em>I'm Sorry You Feel That Way</em></strong></p>
<p>‘Rebecca Sarah Ley has nailed the creative writing workshop and how quickly a good story can turn addictively toxic. Beware the advice you receive, beware writing about what you know. Darker truths always lie behind imagined worlds' <strong>Professor Henry Sutton, Director Creative Writing MA Prose Fiction, UEA</strong></p>
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<strong>Praise for Rebecca Sarah Ley's previous novel, <em>Sweet Fruit, Sour Land…</em></strong>
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<strong>Winner of<em> the Guardian</em>'s Not the Booker Prize 2018</strong>
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<strong>Winner of a Betty Trask Prize 2019</strong>
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<strong>Shortlisted for The Kitschies Golden Tentacle 2018</strong>
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<p>'Beautifully and elegantly written… A slow burn to a very moving ending' <strong>The Guardian Not the Booker Judges</strong></p>
<p>'Utterly absorbing and with prose to savour, this is a novel that will stay with me' <strong>Hannah Kohler, author of <em>The Outside Lands</em></strong></p>
<p>'Peppered with unusual, thought-provoking and at times poetic insight into memory, sense, questioning the status quo, including what feminist resistance looks like' <strong>Laura Waddell, author of <em>Exit</em></strong></p>
'I loved it: a bleakly funny, off-kilter examination of the dynamics of power and attraction. I raced through it' Rebecca Wait, author of I'm Sorry You Feel That Way
Sofie Muller can make you into a better writer.
That's why Alice and Walt are desperate to be in her creative writing class. She can spot talent and apply pressure, hone you – if you’re good enough, if you want it enough – into something more elegant, original, daring.
Alice wants it. She wants Sofie's hand guiding hers to greatness, then the book deal, then the prizes and the plaudits.
Still, there is gossip. Sofie will kill your darlings. Sofie will drive you too hard. Sofie’s boundary-pushing is not just professional, it is personal. By the time Alice realises the rumours may be true, is it too late to wriggle free? And if not, is it worth it to get what she always dreamed of?
BAD FICTION is a timely, brilliant novel about fame and mentorship, betrayal and submission, from one of Britain’s brightest young writers.
A sexy and sinister campus novel about control, betrayal and the search for literary fame
A sexy and sinister campus novel about control, betrayal and the search for literary fame
- STYLISH, SEXY, INTRIGUING. This is NOTES ON A SCANDAL but set across the UEA creative writing course. A playground for sex, secrets, creative inspiration, exploitation, and an alluring but predatory female tutor.
- RISING YOUNG TALENT. Rebecca’s debut novel, published by an independent press, was the winner of the Guardian’s Not the Booker Prize and won a Betty Trask Award.
- A modern, gender-flipped take on a classic campus novel trope, the sexually manipulative professor
Competition: Mrs S;Notes on a Scandal;My Dark Vanessa;Vladimir;The Truants;The Safe Keep;All Fours;Pages for Her;Bunny;Lessons. K Patrick;Julia May Jonas;Kate Elizabeth Russell;Zoe Heller;Kate Weinberg;Yael van der Wouden;Miranda July;Sylvia Brownrigg;Mona Awad;Rachel Cusk
Produktdetaljer
Om bidragsyterne
Rebecca Sarah Ley writes essays and fiction. Her first novel, Sweet Fruit, Sour Land (published under the name Rebecca Ley) won a Betty Trask Award and the Guardian's Not the Booker Prize. Her essays have been published in Water Journal and shortlisted for the Fitzcarraldo Essay Prize. Rebecca lives in North East London.