Review from previous edition the best general book of criticism on Victorian poetry altogether in the last decade . . . clearly aimed at non-specialists and specialists alike.

Alison Hickey, Essays in Criticism

Reynolds is an exceptionally incisive and lucid critic, keenly attentive to formal dynamics . . . but also deft in summarizing the distinctive political engagements of each poet . . . This is a politics of form, as Reynolds well knows, very different from that which prevails in most criticism. Indeed, his coolly polemical introduction points out the pitfalls of the ubiquitous literary-critical "politicizing" of human experience generally . . . This is an extremely important study, one of the best I know on the large ambitions of Victorian poetry.

James Eli Adams, Studies in English Literature

The best critics, like the best poets (in Browning's words) "impart the gift of seeing to the rest". Reynolds has this gift of seeing and imparting.

Daniel Karlin, Times Literary Supplement

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How the insides of literary works relate to what's going on outside is a question of famous nicety, and Reynolds is painstakingly aware of the intricacies: indeed his awareness of them is possibly the most striking thing about the book, making it a kind of primer in the whole rich problem . . . Reynolds is a critic of great gifts; the book is full of passages beautifully read.

Seamus Perry, Tennyson Research Bulletin

Victorian scholars will never be able to read familiar poems like 'Aurora Leigh' and 'Andrea del Sarto' the same way again.

Virginia Quarterly Review

Reynolds sets a high standard for the new century's work in our area of literary studies. May he find able emulators soon.

Herbert Tucker, Victorian Studies

The poets of the mid-nineteenth century lived in a time of 'nation-building'. The Realms of Verse brings this political and intellectual context to life. Drawing on a wide range of soources, Matthew Reynolds shows that the Italian Risorgimento raised questions about community and individual liberty which were especially problematic for subjects of the multi-national United Kingdom, and argues that these questions are at the heart of the poetry of Robert and Elizabeth Browning, Tennyson, and Clough. Their long poems characteristically tell stories about marriage, investigating the symbolic and actual interactions between that personal union and national unity. Their verse as a whole exploits correspondences between political government and poetic form, and is alert to its own role in fostering a common culture. Historically detailed, theoretically astute, critically nimble, and stylishly written, The Realms of Verse is the most far-reaching reassessment of Victorian poetry to have been published in recent years.
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Robert and Elizabeth Browning, Tennyson, and Clough lived and wrote in a time of 'nation-building'. The Realms of Verse brings this political and intellectual context to life, and traces its influence on the narratives, language, and form of their poetry. The book will be essential reading for scholars and students.
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I. ORIENTATIONS ; 1. Poetry and its Times ; 2. Poets and Nations ; 3. Three Types of Unity ; II. THE INSPIRATION OF ITALY ; 4. From Elegy to Prophecy ; 5. The Scope of Narrative: Aurora Leigh ; 6. Repulsive Clough ; 7. Browning's Alien Pages ; III. TENNYSON'S BRITAIN ; 8. Ever-Broadening Britain ; 9. The Empire of the Imagiantion ; The Married State: Idylls of the King ; +Coda: After the Realms of Verse
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`Review from previous edition the best general book of criticism on Victorian poetry altogether in the last decade . . . clearly aimed at non-specialists and specialists alike.' Alison Hickey, Essays in Criticism `Reynolds is an exceptionally incisive and lucid critic, keenly attentive to formal dynamics . . . but also deft in summarizing the distinctive political engagements of each poet . . . This is a politics of form, as Reynolds well knows, very different from that which prevails in most criticism. Indeed, his coolly polemical introduction points out the pitfalls of the ubiquitous literary-critical "politicizing" of human experience generally . . . This is an extremely important study, one of the best I know on the large ambitions of Victorian poetry.' James Eli Adams, Studies in English Literature `The best critics, like the best poets (in Browning's words) "impart the gift of seeing to the rest". Reynolds has this gift of seeing and imparting.' Daniel Karlin, Times Literary Supplement `How the insides of literary works relate to what's going on outside is a question of famous nicety, and Reynolds is painstakingly aware of the intricacies: indeed his awareness of them is possibly the most striking thing about the book, making it a kind of primer in the whole rich problem . . . Reynolds is a critic of great gifts; the book is full of passages beautifully read.' Seamus Perry, Tennyson Research Bulletin `Victorian scholars will never be able to read familiar poems like 'Aurora Leigh' and 'Andrea del Sarto' the same way again.' Virginia Quarterly Review `Reynolds sets a high standard for the new century's work in our area of literary studies. May he find able emulators soon.' Herbert Tucker, Victorian Studies
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A major study of Victorian poets in relation to ideas of nationhood Examines the role of politics - both the Italian Risorgimento and British concerns with Ireland and with Empire - in the work of the Brownings, Tennyson, Clough and others
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Matthew Reynolds is a Fellow and Tutor in English at St Anne's College, Oxford.
A major study of Victorian poets in relation to ideas of nationhood Examines the role of politics - both the Italian Risorgimento and British concerns with Ireland and with Empire - in the work of the Brownings, Tennyson, Clough and others
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Produktdetaljer

ISBN
9780199282029
Publisert
2005
Utgiver
Vendor
Oxford University Press
Vekt
392 gr
Høyde
216 mm
Bredde
138 mm
Dybde
18 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
316

Forfatter

Om bidragsyterne

Matthew Reynolds is a Fellow and Tutor in English at St Anne's College, Oxford.