This thoroughly researched and engagingly written book sets the benchmark for an emerging field. Nick Rees-Roberts has put the subject on the map as an important strand of popular and media culture. <i>Fashion Film</i> is sure to become a classic.

Caroline Evans, Central Saint Martins, University of the Arts London, UK

Not only is it both intellectually rigorous and totally comprehensive, but it is also beautifully written and in every way a pleasure to read.

Pamela Church Gibson, London College of Fashion, UK

The most substantial—and one of the best—considerations of the subject of fashion film to date ... extremely intelligent, well researched, and beautifully written ... Bravo!

Marketa Uhlirova, Central Saint Martins, London, UK

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<p>[I]t is a great pleasure to find in <i>Fashion Film: Art and Advertising in the Digital Age</i> a book that thoroughly explores the wide ranging phenomenon of fashion film.</p>

International Journal of Fashion Studies

The moving image has become a key marketing tool for luxury fashion, central in enabling brands to shape their visual codes and extend their brand awareness. Fashion Film is the first detailed study of the shifting shape of fashion imagery in the digital age, investigating the role of the moving image in the promotion, communication and spectacle of contemporary fashion. Combining interdisciplinary analysis of cinema and digital culture, this ground-breaking book traces the emergence of fashion film in the 21st century through its historical roots in pre-digital forms of photography, experimental cinema, mass-media advertising and documentary film-making, right up to today’s visual spread of contemporary fashion on video blogs, online magazines and live-streamed catwalk shows.

Examining collaborations between fashion designers and pioneering image-makers such as Guy Bourdin, Jean-Paul Goode, William Klein and Nick Knight, the book highlights the critical tension between the fashion film conceived as a creative endeavour and as commercial enterprise. Fashion Film also includes a parallel focus on factual representations of fashion through the recent rise of documentary fashion film that goes behind the scenes to follow the processes and personalities involved in making fashion.

Accessible and well-illustrated, Fashion Film will appeal to students and scholars of fashion, film, media, photography, celebrity, sociology and cultural studies.

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List of Illustrations
Acknowledgments

Introduction: Fashion Film – The Long and Short of It

PART I: PROMOTION: DIGITAL FASHION FILM

Visual Communications
Hyper-Advertising and The Mini-Film Event
Branded Experience, Artistic Exploration and Cultural Critique
Hybrid Content: Fashion Film and Music Video
Editorial Convergence and Spreadable Content
Film and Branded Entertainment
Conceptual Fashion Film
Narrative Fashion Film
Commodity Auteurism
Promotional Genres

PART II: PROCESS: DOCUMENTARY FASHION FILM

Behind The Scenes
The Staging of Labour
In and Out of Fashion with William Klein
Backstage with Loïc Prigent
Reframing Fashion History
Filming Everyday Fashion
The Fashion Photographer on Film
The Fashion Model on Film

PART III: PERSONALITIES: DESIGNER FASHION FILM

Masters of Style
Designer Lives
Curating Chanel
Documenting Dior
All About Yves
The Warhol Legacy

Conclusion: The End of Fashion Film

Bibliography
Index

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Through global case studies this book explores the emergence of the moving image as a core marketing tool for luxury fashion brands.
Interdisciplinary in approach, spanning advertising, design, moving-image, lens-based art, music video, documentary film and narrative cinema

Produktdetaljer

ISBN
9780857857002
Publisert
2018-12-13
Utgiver
Bloomsbury Publishing PLC; Bloomsbury Visual Arts
Vekt
460 gr
Høyde
232 mm
Bredde
156 mm
Dybde
14 mm
Aldersnivå
P, U, 06, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
240

Forfatter

Om bidragsyterne

Nick Rees-Roberts is Professor of Media and Cultural Studies at the Sorbonne Nouvelle University, Paris, France.